Victor Burgin
Geboren 1941 in Sheffield, England, Studium am Royal College of Art, London, Yale University. 1978-79 DAAD-Stipendium in Berlin. Lebt und arbeitet in London.
Eigene Schriften
Art Society System, in: Control 4, 1968, Situational Aesthetics, in: Studio International, October 1969; Thanks for the Memory, in: Architectural Design, August 1970; Language and Art, in: Publication, ed by D. Lamelas, Nigel Greenwood, London 1970; Rules of Thumb, in: Studio International, May 1971 ; Interview with Varsity, in: Varsity Cambridge University, October 1971 ; Margin Note, in: A Survey of the Avant-Garde in Britain, Gallery House, London 1972; Interview, in: The New Art, London 1972; In Reply, in: Art Language, 1972; Work and Commentary, Latimer New Dimensions, London 1973; Photographic Practice and Art Theory, in: Studio International, July/August 1975; Socialist Formalism, in: Studio International, March/April 1976; Art, Common-sense and Photography, in: Camerawork no. 3, 1976; Modernism in the work of art, in: 20th Century Studies 15/16, 1976; Two Essays on Art, Photography and Semiotics, Robert Self Publications, London, 1976; Looking at Photographs, in : Screen Education 24, 1977; Images of People, in: Studio International, Vol 194 no. 989, 1978; Notes sur US 77, in: Un Certain Art Anglais, Arc 2, Paris 1979; The Universal Artist, in: Three Perspectives on Photography, Arts Council, 1979 ; Photography and Function, the Aesthetic Debates in 20s Russia in the Light of Recent Theory, in: Screen, 1979; Thinking Photography, (ed) Macmillan, London and New York 1980.
A propos Fotografie
Wiewohl Geschriebenes jeglicher Art im Alltag gegenwärtig ist, so vergeht kaum ein…
